Should you deny Christ if it would save lives?

That is the compelling question posed by Shusaku Endo's book, Silence.  The book is a piece of historical fiction set in 17th century Japan, as the Japanese empire seeks to eliminate Christianity from its midst.  Endo, a Japanese Catholic, wrote it not as entertainment but as a vehicle for proposing several complex theological ideas.  The book received commendation from the Vatican.

The main character of the story, a Portuguese Jesuit priest named Rodrigues, is captured by the Japanese authorities.  But rather than simply kill him, they try to induce him to formally renounce Christ by the symbolic action of putting his foot on the head of Jesus on a crucifix (called a fumie).  And rather than simply torturing Rodrigues physically, they torture other Christians and promise Rodrigues that if he tramples on Christ, they will release not only him but the other Christians as well.  They know that if they can get the church leaders like Rodrigues to apostatize, their people will follow.

Another priest, Ferreira, who has already trampled the fumie to save lives, tries to convince Rodrigues to do so also.  He does this first by telling Rodrigues that it's impossible for Japanese people to truly become Christians.  Thus, what's the point of trying to convert them by his example of faith?

"In the churches we built throughout this country, the Japanese were not praying to the Christian God.  They twisted God to their own way of thinking in a way we can never imagine... The Japanese till this day have never had the concept of God; and they never will... The Japanese are not able to think of God completely divorced from man; the Japanese cannot think of an existence that transcends the human.  The Japanese imagine a beautiful, exalted man--and this they call God... But that is not the Church's God." [160-161]

Then Ferreira plays this card:

"Is your way of acting love?  A priest ought to live in imitation of Christ.  If Christ were here... certainly Christ would have apostatized for them [the Christians being tortured]…. For love Christ would have apostatized.  Even if it meant giving up everything he had." [181]

Rodrigues is convinced.  Ferreira encourages him:

"Now you are going to perform the most painful act of love that has ever been performed... Your brethren in the church will judge you as they have judged me.  But there is something more important than the Church, more important than missionary work: what you are now about to do." [182]

Rodrigues raises his foot to trample on the fumie.

"And then the Christ in bronze speaks to the priest.  'Trample!  Trample!  I more than anyone know of the pain in your foot.  Trample!  It was to be trampled on by men that I was born into this world.  It was to share men's pain that I carried my cross.'  The priest placed his foot on the fumie.  Dawn broke.  And far in the distance the cock crew." [183]

This is the climax of the book.  Thus the book argues that it is loving and Christlike to deny Christ, if doing so will save others.

I regard this as a deception straight from hell.  But rather than simply tell you why, I urge you to study the Bible to discover the answers.  In future times of persecution, we ourselves may be faced with the choice between denying Christ and causing others to suffer.  And if that happens, you would not remember an answer I write here, but you will remember the answers you find in God's Word.

May the Lord use this awful book to remind us to pray for Japanese people to come to true faith in Christ.

New Pilgrim's Progress Film Lacks Gospel

John Bunyan's grave in Bunhill Field, London 

Revelation Media has produced an animated film version of John Bunyan's classic book Pilgrim's Progress.  Their goal was great: to produce a missions tool that could be easily translated into many languages.

Sadly, I believe the film almost entirely loses the gospel clarity of the book.  Even secular film adaptations of The Lion, the Witch, and the Wardrobe contain more gospel than this film.

But there are three gospel glimmers in the film.

1. The brightest is when Christian's burden falls off and rolls down a hill into an open tomb which looks like the garden tomb in Jerusalem.  A cross (of light, not wood) is at the top of the hill.  Those who understand what these represent could deduce that Christ's death and resurrection free us from guilt.  
2. During his trial in Vanity Fair, Faithful explains that God's blessings cannot be had at any price, except the surrender of the heart to the King's better ways.  
3. When Christian reaches the Celestial City, Christ tells him that His blood protected Christian from Satan as he was dying.  

All of these gospel glimmers are true and Biblical.  They are also incomplete and insufficient.  Many cults agree with all these.  You could embrace everything in the film and still go to hell.  Essential truths of the gospel are absent.  It's tempting to list them.  But I'd rather you learn to discern this for yourself.  If you need help, read Pilgrim's Progress!

The main message that the film conveys is persevere: continue obeying and believing God despite the hardships and temptations of life.  These are essential and Biblical commands.  But these are not the gospel.  Nor are they the central message of the original book.  

My aim here is not to bash this film or its producers, but something larger.  I want to plead with my fellow Christians that in our evangelism we do not lose the evangel itself.  The film is just one example of widespread gospel fuzziness emanating from many churches.  Ironically, in our desire to make the gospel well-known - in striving to make it succinct, relevant, and understandable - we can easily destroy it.

Father, for Your glory, and for the good of the lost, help us get this right.